Reclining Figure (2017)
VBKÖ Vienna, Austria
Reclining Figure (2011)
Transmission Gallery, Glasgow
Empire and Pieces (2015)
Partially burnt wood. Approx. 6 ft x 2 ft
Substance of We Feeling - Made while thinking about the Large Hadron Collider (2009)
Solo show at Outpost Gallery, Norwich
A selection of sculpture and installation
Reclining Figure (2010 - present)
Reclining Figure is an ongoing project in which I use found bricks to assemble a form approximating Henry Moore’s famous cast sculptures. Whereas Moore's figures often exceed human scale and are, when made for public outdoor display, cast in bronze, my figures are small, made of objects that have been brought into the white-walled gallery space from outside, from the public and common spaces. Rather than being realised as whole forms, my reclining figures as assembled from parts; discarded bricks that are either used, worn, damaged, or unused and therefore exist as surplus objects.
Reclining Figure (2010)
Bloemgracht Space, Amsterdam
Substance of We Feeling (2008 - present)
An ongoing series of temporary floor-based works made with sand. In this version was made with synthetic coloured sand. The title Substance of We Feeling is taken from the novel Shikasta (1979) by Doris Lessing.
This is the first version made for Glasgow International (Gi) 2008
They Saw Things Her Way When They Realised Rationality Was Speculative (2009)
Solo presentation. Mackintosh Gallery, Glasgow School of Art
(Installation view from balcony) Dimensions variable.
Stone wheel (carved by the Artist from Portland Stone) plywood, cardboard, wood, book (Oh What a Blow That Phantom Gave Me! by Edmund Carpenter), graph paper, elastic band, salmon pink cushion foam, 4 bricks, 4 large water bottles, water, cleaning detergent, car engine oil, chipboard, emulsion paint, Satellite dish, acrylic paint applied by hand.
The Man Who Knew Too Much (2004)
A 3-part installation across the entire gallery space featuring a unique 12-inch record of the song 'ce sera sera' from Alfred Hitchcock’s 1956 film The Man Who Knew Too Much repeated on a loop.
Made for the group exhibition inbox: Glasgow at the Central Gallery, National Centre for the Arts, Mexico City
Images L-R
Record cover with carbon transfer drawing
CCTV camera transmitting live footage of the record which is only played when a viewer puts the needle on the record.
Monitor and speakers showing and playing the record.